Monday 29 November 2010

Filming

On November the 15th we set out to do some more filming at Jack's house and at the train station. This day was quite an effective filming day however it also got dark quickly so we couldn't do any more filming on the heath because the period that we have to film in, to get the perfect lighting, is very short.

Publicity Stills

On the 14th of November we also took shots for our magazine front cover and poster which were then uploaded onto flikr

Filming

On saturday the 14th of November we set out to start the filming of our trailer at Hampstead Heath. During filming it started to get too dark so we had to use torches to create enough light so that we would be able to film. Due to lighting issues our filming was severely disrupted and we could not film a number of long shots.

Flikr

We have created a flikr account with the different images that we have taken of our actors and publicity stills

Friday 12 November 2010

Tagline ideas

Daddy's little girl
Come out and play

We chose to use Daddy's little girl as our tagline as we felt that it linked well with the background story of the film as it sounds creepy.

Locations research and applying ideas

Locations:
The location of a horror movie is important as locations provide atmosphere which is vital for a horror movie as you would hope to achieve a spooky atmosphere. Here I will look into different types of location which are used in horror.

Deserted area:
This location is as is given in the title a location with little or no human presence. This adds to a mysteriousness atmosphere and higlights a sense that anything could happen within the area as it gives a sense of lawlessness. Deserted areas also highlight the notion that the characters within the film are helpless, if something goes wrong they only have themselves to help each other. An example of a movie which is set in a deserted area is Texas Chainsaw Massacre

Location with a dark history:
This is when a location has experienced a murder or some other type of bad event in the past, which is usually then explained in the film by a resident of the area and then has a part in the story of the film. This exaggerates the feeling that something bad is going to happen within the film. An example of this is in Friday the 13th where at the location Jason's mother was murdered years before.
Unfamiliar location:
Usually the location of a horror film will be within a location that the characters aren't familiar with as they are on a trip usually. This is used effectively as it creates a mysterious atmosphere and highlights the fact that the protanonists are helpless. An example of a film that is set in an unfamiliar location is The Desent

From this research we have decided to set our horror trailer in an unfamiliar deserted area as we believe that it is a very effective location as it creates a sense of helplessness and isolation.


Shot list slide show

Links to group members blogs Planning

As we are working in a group, the labour was split up, here are links to my group members blogs' with the work they have done.
Jack
Focus group questions

Friday 5 November 2010

Our film shot list

This is the shot list that Me Jack and Dan created over the October half term.
http://danrodriguezy13coursewrok.blogspot.com/2010/11/story-board-scan.html

Risk assessment

ACTIVITY

HAZARD INVOLVED

ACTION TO BE TAKEN TO REDUCE HAZARD

Location Filming

Working in an unfamiliar environment

The Licensees to fully acquaint the Film Office with the subject matter, nature and action of the filming and accordingly take appropriate advice.

Appointment of a Health and Safety Representative

Working in a building that has not been used for some years

Commission a structural survey of the building

Multi-level location

danger to crew of falling

ensure that all dangerous areas are barriered off

display warning signs

use safety rails on all stairs/steps

use of safety harnesses in exposed areas

Location is poorly lit

danger to crew coming from brightly lit shooting area to dimly lit other areas

use additional working lights

consider use of fluorescent paint on edges of steps etc.

danger of lights dazzling cast or crew

H&S to warn crew of danger verbally and to monitor risk throughout shoot

If someone is dazzled they are to stand still and make 1st Assistant aware.

Hazard from members of the public/ vehicles not under the control of the Production.

Create a secure area to work in using hazard tape, barriers.

Use stewards in Hi-Vis Jackets at perimeter to advise members of the public of what is happening.

Parking

Access for emergency vehicles compromised by film unit vehicles.

Vehicles to be parked in accordance with the Location Manager's instructions only to ensure emergency access is preserved at all times.

All vehicles to face outwards in case they need to be moved and their drivers to remain in the vicinity

Personal vehicles to be parked in

XXXXXXXX to avoid congestion of the area.

Vehicles moving through park grounds

Members of the public (including young children) not expecting vehicles in the park.

Access limited to only those vehicles with permits:

No vehicle is to exceed 5mph while in the park.

Hazard lights must be used on all moving vehicles.

Vehicles must keep to the designated roads and pathways and must not be driven onto the grass at any time.

Running of electrical cables over the ground at location

Hazard to members of the public particularly elderly infirm and partially sighted or people running.

all cables to be adequately safe-guarded as they are laid and trailed as little as possible.

where cables are trailed they must run parallel to any foot-ways and run in the corner of the gutter;

if cables cross such walkways they are to be covered with a taped rubber mat or suspended overhead at a height of no less than eight and a half feet.

Use of heavy or electrical equipment on the location

Potential hazard to crew or members of the public.

Only adequately trained and qualified staff are to rig, de-rig and operate equipment.

Potential hazard to curious members of the public.

Potentially hazardous equipment is to be segregated from the public using tiger tape or barriers

The location to be staffed permanently (as opposed to normally) throughout the entire period of occupation so that no equipment is left unattended at any time. (The cost of this is to be borne by the Production.)

Use of smoke

False alarms

Film Office to be informed of the use of smoke so the local fire station can be informed

isolation of smoke sensor where smoke is being used

smoke drifting across nearby roadway

H&S representative to be aware of the drift of smoke and stop its use if this becomes a problem

Isolation of the Fire Alarm System

Genuine Fire starting during a meal break

Where the system has been isolated the set must be manned constantly.

NB the Complete system must not be turned off if the building is tenanted

Filming on Water

cast or crew falling into water

all personal to wear life jackets

dangerous currents and deep water

adequate life-preservers on hand for those unable to wear life jackets (cast on camera only)

safety boat on standby at all times

diver dressed ready to go into water present at all times personnel are working on water

shock from falling into cold water

paramedic on standby with unit

inhalation or ingestion of water

water test carried out to ascertain quality of water before filming

anyone falling in water to be taken to A&E department at nearest hospital

EVACUATION IN CASE OF FIRE or other Emergency

Evacuation of the location in event of fire or another emergency

Emergency services not knowing if personnel are not accounted for

The Licensees will furnish the Film Office with a crew-list and call sheet prior to the shoot day.

A list of cast and crew on-site is to be kept by the Health and Safety Representative.

In the event of alarm all personnel are to assemble at (obvious rendezvous point) where H&S representative will account for them.


Wednesday 3 November 2010

Health and safety report

Producers should ensure, so far as is reasonably practicable, that persons working with and for them are not exposed to risks to their health and safety. An example of what may be considered reasonably practicable would be if location filming was taking place in a warehouse with poor lighting. It would be appropriate to ensure that extra lighting is used and that all sharp or otherwise hazardous equipment is made safe.

You should have at least one experienced member of the crew who is aware of health and safety issues.

Some genres may pose more risks than others i.e. horror or action films or scenes involving animals. The production team should discuss safety issues before filming begins and take steps to avoid or reduce the risks identified.

Producers should ensure, so far as is reasonably practicable, that persons working with and for them are not exposed to risks to their health and safety. An example of what may be considered reasonably practicable would be if location filming was taking place in a warehouse with poor lighting. It would be appropriate to ensure that extra lighting is used and that all sharp or otherwise hazardous equipment is made safe.

You should have at least one experienced member of the crew who is aware of health and safety issues.

Some genres may pose more risks than others i.e. horror or action films or scenes involving animals. The production team should discuss safety issues before filming begins and take steps to avoid or reduce the risks identified.

Websites of slasher horror

Official websites:
http://www.scream-movie.net/Scream.html

Slasher horror costume research


Antagonists in slasher horror films usually have some sort of masked on to prevent the audience knowing what they look like, to create an air of mysteriousness which exaggerates the horror element. For example in Leatherface where the killer is masked.
Usually in slasher horrors the characters that aren't the antagonist are regular people which is probably done to make the audience feel that it could happen to them. The costumes of the characters are usually normal everyday clothes from the area of the world that the film is set in.











Protagonists within the horror genre usually tend to wear clothes that is suitable for their character, everyday clothes.

Our film classification

From these film classifications, we have decided to classify our film as an 18 as we believe the amount of violence can be seen as a risk to an individuals health or morals and is in breach of the criminal law.

Film classification

’18′

Suitable only for adults

No-one younger than 18 may see an ‘18’ film in a cinema.

No-one younger than 18 may rent or buy an ‘18’ rated video.

In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:

  • where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
  • where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
  • where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.

In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.

Sex education at ‘18’

Where sex material genuinely seeks to inform and educate in matters such as human sexuality, safer sex and health, explicit images of sexual activity may be permitted.

Sex works at ‘18’

Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed ‘18’. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the ‘R18’ category. Material which is unacceptable in a sex work at ‘R18’ is also unacceptable in a sex work at ‘18’.

Film classification

’15′

Suitable only for 15 years and over

No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.

Discrimination

The work as a whole must not endorse discriminatory language or behaviour.

Drugs

Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.

Horror

Strong threat and menace are permitted unless sadistic or sexualised.

Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.

Language

There may be frequent use of strong language (for example, ‘fuck’). The strongest terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.

Nudity

Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.

Sex

Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.

Theme

No theme is prohibited, provided the treatment is appropriate for 15 year olds.

Violence

Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.

Locations List

Olly's attic: We chose to use an attic as, from the research that Dan conducted, we thought that it was a suitable place as it looks quite dark, dingy and it is very good that there are stairs coming from below as this gives it a spooky feel. On top of this, it is an easy place to renovate to make it look like the lair of a murderer.
The Heath: We chose to use the Heath as a setting for the countryside as first of all it is a big expansive wooded area which our research showed was quite a popular location for a horror film for example The Blair Witch Project. We also chose to film on the Heath as it is an easily accessible place, where you don't need permission to go on it.
Dan's garden: We chose to use Dan's garden as it is a place where we will be able to pitch up a tent in the night without any problems so we will be able to film using fake weapons and if needed real ones without any danger.
Jack's driveway: We chose to film here as we needed a place with a car as this is the first shot we chose for our film trailer.
Train station: We wanted to use a train station as it ties in with our idea because they catch a train to the countryside.

Character/actor list

From our research of stock characters, we decided to use these characters in our film trailer.
Sarah Jennings Played by Daisy Holland - Young innocent girl, Protagonist, last girl,

Darren Jennings Played by Jack Dalziel - Brother, Distant from family and sister, Archetypal stoner, party goer character, little compassion for the sister

Thomas Micheals - Similar character to Darren Jennings.

Julia Jones - Played by Lowri Woods, Popular girl

Lilly Anderson - Played by Louisa Swithenbank Typical Tom Boy Character, slightly more compassionate than the boys. Wanderer

Bernard Jennings played by David Dalziel- Father of Darren and Sarah, Very nice to daughter, Feels antipathy for son due to his lifestyle.

Mary Jennings Karen Dalziel - Mother of Darren and Sarah, Typical mother, Worried about camping trip, Maternal.

William Fyles Played by Erhan Korkman - Antagonist of the film, wears a mask, Has turbelant past, Mentally Ill, is a killer.

Progress Review

Today in lesson I have been looking at the criteria that I need to fulfill in order to reach the grade that I would like, which is an A. I have done this by looking a my blog and giving my work a level out of 4 in different criteria. These criteria are:
There is research into similar products and a potential target audience,
There is organisation of actors, props, locations and costumes,
There is  work on shotlists, layouts, drafting, scripting and storyboards, 
Effectiveness of time management, 
There is care in the presentation of the research and planning, 
There is skill in the use of digital technology or ICT in the presentation,
There are communication skills.
Then I gave evidence of how these different criteria have been fulfilled in my blog.
After completing this I showed evidence of how my completed work gave me the marks that I had given myself in the criteria.